War Classics

Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late '60s. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks "in country," Taylor begins to see the naïveté of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood's first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films. ~ Mark Deming, All Movie Guide

Robert Francis is at the center of the story as Willis Keith, a newly minted ensign assigned to the U.S.S. Caine. Keith has an uneasy relationship with his skipper, Lt. Comdr. DeVries (Tom Tully), partly through his own ineptitude and as a result of his disapproval of the slovenly way DeVries seems to run the ship. He looks forward to the arrival of a new captain, Lt. Comdr. Philip Francis Queeg, portrayed by Humphrey Bogart. Queeg is a tough, no-nonsense veteran officer who turns the crew into proper sailors and the Caine into a tight ship, engendering resentment from some of the men and several of his officers. Queeg, a veteran of difficult years of service for too long, has insecurities about himself, his command, and his career that begin to manifest themselves as out-of-control spells of temper over small details that cause him to make mistakes. Lt. Keefer (Fred MacMurray), the glib-tongued communications officer, spots the signs of neurosis in the captain's behavior. When, because of Queeg's temper, the Caine steams over its own tow-line on a routine target-towing assignment, the captain is pushed into irrational behavior in trying to explain it away. When he leaves a Marine landing craft that the ship is escorting too far from the beach in the middle of combat, Queeg becomes almost irrational in trying to erase the seeming cowardice he has shown. The ship's dedicated first officer, Lt. Steve Maryk (Van Johnson), hears Keefer's suggestion that the captain may be mentally unbalanced, but does not entertain the thought until Queeg orders the ship turned upside down over pilfered strawberries. During a typhoon that threatens to sink the ship, Queeg's inability to deal with the crisis at hand forces Maryk to assume command, with Keith's support as officer-of-the-deck, thus bringing about the court martial of the two officers. Greenwald (Jose Ferrer), a pilot and lawyer in civilian life, reluctantly agrees to help them, mostly out of sympathy for the impossible predicament in which Maryk has found himself caught up. In testifying for the defense, Keefer covers up his role in fomenting the crisis, denying ever having suggested that the captain was unbalanced. Maryk comes off as sincere but hopelessly out-of-his-depth at the trial, and Keith too inexperienced and callow to have made the kinds of decisions forced on him. Finally, Queeg is called as a witness, and Greenwald destroys his credibility on the stand by going over each questionable incident, one by one, bringing out the officer's defensiveness until he finally reveals his instability. Greenwald confronts the Caine's officers at their "victory" party, criticizing them for their foul treatment of Queeg, and their failure to offer him the loyalty and support that he was entitled to as captain, and which would likely have averted his breakdown in the first place. ~ Bruce Eder, All Movie Guide

The Longest Day is a mammoth, all-star re-creation of the D-Day invasion, personally orchestrated by Darryl F. Zanuck. Whenever possible, the original locations were utilized, and an all-star international cast impersonates the people involved, from high-ranking officials to ordinary GIs. Each actor speaks in his or her native language with subtitles translating for the benefit of the audience (alternate "takes" were made of each scene with the foreign actors speaking English, but these were seen only during the first network telecast of the film in 1972). The stars are listed alphabetically, with the exception of John Wayne, who as Lt. Colonel Vandervoort gets separate billing. Others in the huge cast include Eddie Albert, Jean-Louis Barrault, Richard Burton, Red Buttons, Sean Connery, Henry Fonda, Gert Frobe, Curt Jurgens, Peter Lawford, Robert Mitchum, Kenneth More, Edmond O'Brien, Robert Ryan, Jean Servais, Rod Steiger and Robert Wagner. Paul Anka, who wrote the film's title song, shows up as an Army private. Scenes include the Allies parachuting into Ste. Mere Englise, where the paratroopers were mowed down by German bullets; a real-life sequence wherein the German and Allied troops unwittingly march side by side in the dark of night; and a spectacular three-minute overhead shot of the troops fighting and dying in the streets of Quistreham. The last major black-and-white road-show attraction, The Longest Day made millions, enough to recoup some of the cost of 20th Century Fox's concurrently produced Cleopatra. ~ Hal Erickson, All Movie Guide

The quest of a war-widow for the truth about her husband's death during World War II serves as the backbone for this film, which portrays the Japanese militarism of that time and the attitudes which gave rise to it. Though the government labelled her husband as a deserter, his widow does not believe it, and every day she makes a trip to the war reparations office until she finally tracks down four men who knew her husband in his last days. They tell a harrowing story of the breakdown of humanity at the close of the war. ~ Clarke Fountain, All Movie Guide

An expensive but enormously profitable war picture, Where Eagles Dare centers upon a daring rescue and even more daring escape. Disguised as Nazi officers, commandoes Maj. John Smith (Richard Burton), Lt. Morris Schaffer Clint Eastwood and six other courageous souls parachute behind enemy lines. Their mission: to rescue an American general, held captive in a supposedly impenetrable Alpine castle. Aiding and abetting the commandoes are Allied undercover agents Mary (Mary Ure) and Heidi (Ingrid Pitt). Also on hand is a British officer (Patrick Wymark), who masterminded the mission. Somewhere, somehow, someone amongst the Allies is going to turn out to be a traitor. There's also a neat plot twist in store when the commandoes manage to reach the American general -- which leads to yet another twist. The vertigo-inducing climax has made Where Eagles Dare one of the most sought-after of "early" Eastwood starring features. The film was written directly for the screen by espionage novelist Alistair MacLean. ~ Hal Erickson, All Movie Guide

Though the anti-war sentiments of Hamburger Hill come through loud and clear, the film is squarely on the side of those courageous, much-maligned Americans who fought and died in Vietnam. Based on a true incident, the story takes place in 1969, as the 101st Airborne Division confronts the Vietcong in a bloody battle over Hill 937 (aka "Hamburger Hill") in the Ashua Valley. During the next 10 days, both sides incur heavy losses, but the Cong refuse to surrender the hill. The ultimate American "victory" turns out to be a hollow one indeed. Scripted by Vietnam war vet Jim Carabatsos, Hamburger Hill not only underlines the futility of the war but also the pressures brought to bear upon the troops by an insensitive, often hostile media. By utilizing a cast of unknowns, director Jim Irvin deftly avoids the Hollywoodized slickness of such bigger-budgeted efforts as Apocalypse Now and The Deer Hunter. ~ Hal Erickson, All Movie Guide

Like M*A*S*H and Catch-22, both released the same year, this military comedy takes place in an earlier war but is really a thinly disguised treatise on the modern-day insanity and avariciousness then unfolding in Vietnam. Clint Eastwood stars as Kelly, a former lieutenant whose illusions about the glory of war, if he has any, are lost when he is busted in rank for following some poorly considered orders in World War II France. After capturing a friendly German officer, Kelly learns the whereabouts of millions of dollars in gold bars, earmarked to finance a military payroll. Taking advantage of a three-day liberty, Kelly assembles a motley trio of fellow soldiers to help him sneak behind enemy lines and retrieve the booty. They include Big Joe (Telly Savalas), a gruff sergeant; Crapgame (Don Rickles), a supply sergeant already enriching himself as a black marketer and con man; and the hippie-like tank commander Oddball (Donald Sutherland). Since crossing into enemy-held territory means heading in the opposite direction of the retreating Allies, Kelly and his men encounter armed resistance. Receiving word of their campaign, the vain General Colt (Carroll O'Connor) mistakes the quartet of freelancing scam artists for all-American heroes. ~ Karl Williams, All Movie Guide

A quote from Bertolt Brecht ends this bitter and angry war film by Sam Peckinpah: "Do not rejoice in his defeat, you men. For though the world has stood up and stopped the bastard, the bitch that bore him is in heat again." Peckinpah's intense and belligerently non-commercial work, (based on the book by Willi Heinrich), is a World War II tale told from the German perspective, following a platoon of German soldiers in the Russia of 1943, when the German Wehrmacht forces had been decimated and the Germans were retreating along the Russian front. James Coburn is Steiner, a German corporal and recipient of the Iron Cross who feels that he owes his loyalty to his family and fellow soldiers and not to Hitler and the German war machine. But when a new commander, Captain Stransky (Maximillian Schell), takes over the platoon, Steiner and Stransky come into immediate conflict. Stransky is a career soldier, the complete opposite of Steiner, and a man who pledges himself heart and soul to Hitler and the war. But he envies Steiner for having been awarded an Iron Cross and deeply desires one himself. The problem is Stransky is a complete coward and recognizes that the only way he can be awarded an Iron Cross would be to get the bitter Steiner on his side. ~ Paul Brenner, All Movie Guide

Unabashedly sentimental, this war film was produced by David Putnam in partnership with Catherine Wyler, whose father William Wyler directed an acclaimed documentary about the real-life events depicted in the film. The ensemble cast is composed of ten young actors portraying the crew of the World War II B-17 bomber "Memphis Belle," anticipating their 25th and last mission before they will be able to go home. Having won fame with their exemplary war record and amazing lack of casualties, they expect their final assignment to be a cakewalk, but instead they are ordered to bomb Bremen, a heavily defended German city that will mean almost certain loss of life. Led by their experienced captain, Dennis Dearborn (Matthew Modine), the crew shoulders its responsibility despite mounting fears, while their commanding officer (David Strathairn) and a public relations specialist (John Lithgow) wait anxiously for their return. Aboard the bomber, there's friction between Dearborn and his disgruntled co-pilot Luke Sinclair (Tate Donovan), and between medical officer Val Kozlowski (Billy Zane) and the rest of the crew when it's learned that Val lied about his qualifications. Despite impressive technical credits and a popular Generation-X cast, Memphis Belle (1990) was a box-office disappointment, its enthusiastic patriotism considered a throwback to a bygone era of filmmaking. ~ Karl Williams, All Movie Guide

Inglorious Bastards was the alternate title for the Italian adventure yarn Counterfeit Commandos. The main characters are five soldiers facing court-martial in World War II France. The quintet consists of Bo Svenson, Fred Williamson, Peter Hooten, Michael Pergolami and Jackie Baseheart. The men escape, heading to the safety of the Swiss border; along the way, they pull off several random acts of above-and-beyond heroism. ~ Hal Erickson, All Movie Guide

Frank Sinatra took over the directors' chair for the first (and only) time in this unusual WWII drama. Lt. Kuroki (Tatsuya Mihashi) is the leader of a Japanese platoon stranded on a remote Pacific island, where with an iron hand he oversees the construction of a rescue ship. An American plane crash-lands on the island, leading to a skirmish between the two rag-tag legions; eventually, both sides call a truce, and medical officer Maloney (Sinatra) treats a Japanese soldier who was seriously wounded in the fighting. American commander Capt. Bourke (Clint Walker) and Lt. Kuroki come to an agreement -- they will work together to bring needed help to the island, but once either side's forces reach them, the fighting will pick up where it left off. None But the Brave was an international co-production of Artanis Productions (Sinatra's production company -- "Artanis" is Sinatra backwards), Warner Brothers, Tokyo Eiga, and Toho. ~ Mark Deming, All Movie Guide

The Hill was unfairly subjected to ridicule by the more obtuse "critics" of 1965 who harped on the fact that it starred Sean Connery and, unlike Connery's Bond pictures, had no women in it. Bypassing these cretinous comments, it must be noted that The Hill is an above-the-norm entry in the "military prison" genre. The film takes place during World War II, in a Libyan stockade for incorrigible British soldiers. The camp's brutal Sergeant Major (Harry Andrews) puts his charges to work on grueling, monotonous and pointless projects to break their spirits. When one rebellious inmate dies due to this treatment, the Sergeant Major is reprimanded by Joe Roberts (Connery), who has been appointed as the prisoners' spokesman. The result is that Roberts is likewise subjected to the most demeaning and humiliating of prison chores -- but his spirit, and that of his comrades, is not so easily crushed. Based on a TV play by Ray Rigby, The Hill should never be seen in any form other than its dusty, parched original black-and-white; the currently available colorized version is a crime against humanity. One problem: The British dialects in the first 20 minutes are so thick that an American viewer practically needs subtitles (British critics chalked this problem up not to elocution but to poor sound recording). ~ Hal Erickson, All Movie Guide