1001 Movies You Must See...1995-Now

A taxi driver is unexpectedly taken on the ride of his life in this stylish thriller from acclaimed director Michael Mann. Max (Jamie Foxx) is a cab driver who hopes to some day open his own limo company; one night behind the wheel begins promisingly when he picks up Annie (Jada Pinkett Smith), an attorney working with the federal government who is attractive, friendly, and gives him her business card after paying her fare. Max thinks his luck is getting even better when his next fare, Vincent (Tom Cruise), offers him several hundred dollars in cash if he'll be willing to drop him off, wait, and pick him up at five different spots over the course of the evening. Max agrees, but he soon realizes Vincent isn't just another guy with errands to run -- Vincent is an assassin who has been paid to murder five people who could put the leaders of a powerful drug trafficking ring behind bars in an upcoming trial. As circumstances force Max to do Vincent's bidding, the cabbie has to find a way to prevent Vincent from killing again and save his own skin, a task that becomes especially crucial when he discovers Annie is one of the names on Vincent's hit list. Collateral also stars Mark Ruffalo, Peter Berg, and Bruce McGill as police detectives hot on Vincent's trail. ~ Mark Deming, All Movie Guide

Directed by Michael Moore, whose aura of controversy only grew after his Oscar acceptance speech at the 2003 Academy Awards, Fahrenheit 9/11, like Moore's Bowling For Columbine and Roger & Me, promises to expose the corporate wrongdoings and big-money scandals perpetrated by America's financial elite. This movie, however, looks beyond the inner echelons of General Motors and Lockheed Martin in hopes of outing the evildoers in the White House, particularly in regards to the 43rd President of the United States, George W. Bush. In addition to criticizing the administration's handling of the September 11, 2001, terrorist attacks on the Pentagon and World Trade Center, Moore digs deep into the surprising relationship with the Bin Laden family held by both Bush administrations, and questions whether or not potential Saudi involvement with the attacks has been ignored. As Fahrenheit 9/11's Cannes Film Festival debut approached, marking only the second time in 48 years that a documentary has been included among the festival's main competition, Miramax's parent company Disney announced it would not be distributing the film due to its partisan nature, and, according to Moore, out of trepidation that the Florida-based Goliath's multi-million-dollar tax breaks might be negatively affected by Florida Governor Jeb Bush, whose review within Fahrenheit 9/11 is less than favorable. ~ Tracie Cooper, All Movie Guide

The Lord of the Rings: The Return of the King brings Peter Jackson's mammoth adaptation of J.R.R. Tolkien's classic to a close in suitably epic fashion. Instead of starting just where the previous film left off, however, it goes far back in time to the moment the tormented creature Gollum first came to possess the One Ring. In this flashback, actor Andy Serkis (who voiced Gollum and performed his movements onset prior to the final CGI effects) finally gets to appear onscreen, portraying Gollum's former self, Sméagol. This disturbing scene serves as a potent reminder that the Ring seeks to corrupt even the well-intentioned Frodo (Elijah Wood), who is increasingly struggling with the dark power of the Ring himself. Thus, the film returns to the present, following Frodo, Sam (Sean Astin), and Gollum as they journey ever closer to the foreboding land of Mordor. They pass by the terrifying dark city of Minas Morgul, watching as the dreadful army of the Witch King sets out for the human strongholds in Gondor, and move on to the rocky stairs to Cirith Ungol, where an even darker enemy lies in wait. Meanwhile, the rest of the Fellowship reunites in Rohan, having defeated the wizard Saruman on two different fronts, at Helm's Deep and Isengard. They are not together for long, though, since the hobbit Pippin (Billy Boyd) gets into trouble, making it necessary for him and Gandalf (Ian McKellen) to hastily depart for Minas Tirith, capital of Gondor. Once there, they find the steward of Gondor, Denethor (John Noble), in an unstable mental state and the city preparing for battle against the amassing forces of Sauron. Denethor unwisely sends his only remaining son, Faramir (David Wenham), back into bloody battle to prove himself. He returns nearly dead, sending Denethor over the edge of sanity.

In another realm, elf Arwen (Liv Tyler) begins her journey to immortal life in the Grey Havens, on her way to leave Middle-earth -- and Aragorn (Viggo Mortensen) -- forever, but has a vision that causes her to once again reconsider her decision. Back in Rohan, the men are preparing to ride to Gondor's aide. Éowyn (Miranda Otto) desperately wants to join the men in battle, but her uncle, King Théoden (Bernard Hill), orders her to stay and defend Rohan if necessary. The hobbit Merry (Dominic Monaghan) also desires to ride with the men, but is denied due to his small size and inexperience. Aragorn is met there by the elf Elrond (Hugo Weaving), who brings him the re-forged Sword that was Broken (in the ancient battle with Sauron) and urges him to take a different route to Gondor. Heeding Elrond's advice, Aragorn, along with elf Legolas (Orlando Bloom) and dwarf Gimli (John Rhys-Davies), takes a cavernous path through the mountains, where they meet ghoulish ghosts who betrayed Aragorn's ancestors and are doomed to eternal unrest unless they fulfill their broken oaths by aiding him. All but Frodo, Sam, and Gollum will meet on the massive battlefield of the Pelennor before the gates of Minas Tirith. The former three instead engage in a battle of wills between each other and the One Ring as they head toward the fires of Mount Doom to destroy it. Released in December 2003, The Return of the King topped even its massively successful trilogy predecessors at the box office, and went on to garner a whopping 11 Academy Awards, including Best Picture -- winning in all the categories in which it was nominated and tying the record of total awards won with Ben-Hur and Titanic. ~ Dana Rowader, All Movie Guide

The creative team behind Being John Malkovich -- director Spike Jonze and screenwriter Charlie Kaufman -- return with this equally offbeat comedy, in which Kaufman himself becomes the leading character. Charlie Kaufman (Nicolas Cage) is a gifted but profoundly neurotic screenwriter who, after the success of Being John Malkovich, has been hired to write a script adapted from the nonfiction book The Orchid Thief by Susan Orlean. But while Charlie is obsessive about his work, he's also intensely paranoid, given to deep depression, socially inept, and terrified of talking to women, qualities which are making it difficult to get on with his work or hold on to his tenuous relationship with girlfriend Amelia (Cara Seymour). Meanwhile, Charlie's identical twin brother, Donald Kaufman (also played by Cage), has shown up to move in with his brother. Emotionally, Donald is Charlie's polar opposite -- a loudmouthed, over-confident, superficial party animal who has an easy way with the ladies. Donald has decided to follow his brother's footsteps and take up screenwriting as well, but embracing the dictates of screenwriting tutor Robert McKee (Brian Cox), he's cranking out a cliché-ridden serial-killer thriller when not busy making time with new girlfriend Caroline (Maggie Gyllenhaal). As Donald blazes through his screenplay, Charlie slowly picks away at his story, in which author Susan Orlean (Meryl Streep) chronicles John Laroche (Chris Cooper), a scruffy but devoted plant enthusiast who tries to save rare species of orchids by stealing them from their natural home in the swamps of Florida. As John and Susan become better acquainted, they find themselves attracted to one another; similarly, Charlie finds himself increasingly fascinated with Susan, and finds himself falling in love with her, even though he's only seen her photo on the dust jacket of her book. Charlie arranges to meet Susan, but is too nervous to confront her face to face, so he sends Donald (who has just scored a seven-figure deal for his script) in his place, while he attends a screenwriting seminar held by McKee. Adaptation also features Tilda Swinton, Judy Greer, and Stephen Tobolowsky. ~ Mark Deming, All Movie Guide

Filmmaker Roman Polanski, who as a boy growing up in Poland watched while the Nazis devastated his country during World War II, directed this downbeat drama based on the true story of a privileged musician who spent five years struggling against the Nazi occupation of Warsaw. Wladyslaw Szpilman (Adrien Brody) is a gifted classical pianist born to a wealthy Jewish family in Poland. The Szpilmans have a large and comfortable flat in Warsaw which Wladyslaw shares with his mother and father (Maureen Lipman and Frank Finlay), his sisters Halina and Regina (Jessica Kate Meyer and Julia Rayner), and his brother, Henryk (Ed Stoppard). While Wladyslaw and his family are aware of the looming presence of German forces and Hitler's designs on Poland, they're convinced that the Nazis are a menace which will pass, and that England and France will step forward to aid Poland in the event of a real crisis. Wladyslaw's naïveté is shattered when a German bomb rips through a radio studio while he performs a recital for broadcast. During the early stages of the Nazi occupation, as a respected artist, he still imagines himself above the danger, using his pull to obtain employment papers for his father and landing a supposedly safe job playing piano in a restaurant. But as the German grip tightens upon Poland, Wladyslaw and his family are selected for deportation to a Nazi concentration camp. Refusing to face a certain death, Wladyslaw goes into hiding in a comfortable apartment provided by a friend. However, when his benefactor goes missing, Wladyslaw is left to fend for himself and he spends the next several years dashing from one abandoned home to another, desperate to avoid capture by German occupation troops. The Pianist was based on the memoir of the same name by the real-life Wladyslaw Szpilman; the book was first published in 1946 as Death of a City, but was banned by Polish Communist officials and went out of print until 1998, when a new edition was issued as The Pianist. ~ Mark Deming, All Movie Guide

Hero is two-time Academy Award nominee Zhang Yimou's directorial attempt at exploring the concept of a Chinese hero. During the peak of their Warring States period, China was divided into seven kingdoms all fighting for supremacy. Most determined to dominate China was the kingdom of Qin, whose king (Chen Daoming) was wholly obsessed with becoming the first emperor of China. Though he was an assassination target for many, none of his would-be killers inspired as much fear as the legendary assassins Broken Sword (Tony Leung), Flying Snow (Maggie Cheung), and Sky (Donnie Yen). In hopes of thwarting his death, the king has promised endless wealth and power to anyone who defeats his would-be murderers. No results come until ten years later, when a man called Nameless (Jet Li) brings the weapons of the three assassins to the Qin king's palace. Nameless claims to be an expert swordsman who had defeated Sky and destroyed the famed duo of Flying Snow and Broken Sword by using their love for one another against them. Once Nameless comes face to face with the king, however, it looks as if the situation is more complicated than he had thought. Also featured in Hero is actress Zhang Ziyi (The Road Home, Crouching Tiger, Hiden Dragon) as Broken Sword's devoted servant, Moon. ~ Tracie Cooper, All Movie Guide

Pedro Almodóvar follows his international success All About My Mother with an offbeat drama that explores the friendship of two men brought together under unusual but strangely similar circumstances. Benigno (Javier Camára) is a male nurse whose apartment overlooks a dance studio run by Katerina (Geraldine Chaplin); he often sits on his balcony and watches one of Katerina's students, Alicia (Leonor Watling), and he finds himself becoming infatuated with her. When Alicia is severely injured in an auto accident that leaves her in a coma, Benigno discovers she has been admitted to the hospital where he works, and he spends his days caring for a woman he now deeply loves but has barely met. Marco (Darío Grandinetti) is a journalist who was assigned to interview Lydia (Rosario Flores), a well-known female bullfighter whose on-the-rocks romance with another toreador, "El Niño de Valencia" (Adolfo Fernández), has made her the focus of the tabloid press. During Marco's interview with Lydia, he goes out of his way to treat her kindly, and she appears to return his attention. During the bullfight which follows, Lydia is gored by the bull, and is now in a coma; Marco is certain his interview broke her steely concentration, and he spends most of his days at the hospital, convinced her injuries are his fault. Alicia and Lydia are both housed in the same ward of the same hospital, and in time Benigno and Marco become close friends, bonding in their shared devotion to women who cannot return their affection. ~ Mark Deming, All Movie Guide

Russian filmmaker Alexander Sokurov broke boundaries with his dreamlike vision of the Hermitage in St. Petersburg, Russian Ark. It's the first feature-length narrative film shot in a single take (on digital video, using a specially designed disc instead of tape). Russian Ark is shot from the point-of-view of an unseen narrator, as he explores the museum and travels through Russian history. The audience sees through his eyes as he witnesses Peter the Great (Maksim Sergeyev) abusing one of his generals; Catherine the Great (Maria Kuznetsova) desperately searching for a bathroom; and, in the grand finale, the sumptuous Great Royal Ball of 1913. The narrator is eventually joined by a sarcastic and eccentric 19th century French Marquis (Sergey Dreiden), who travels with him throughout the huge grounds, encountering various historical figures and viewing the legendary artworks on display. While the narrator only interacts with the Marquis (he seems to be invisible to all the other inhabitants), the Marquis occasionally interacts with visitors and former residents of the museum. The film was obviously shot in one day, but the cast and crew rehearsed for months to time their movements precisely with the flow of the camera while capturing the complex narrative, with elaborate costumes from different periods, and several trips out to the exterior of the museum. Tilman Büttner, the director of photography, was responsible for capturing it all in one single Steadicam shot. ~ Josh Ralske, All Movie Guide

French legend has it that a creature known as the Beast of Gevaudan -- a huge, wolf-like monster -- was responsible for the violent deaths of over 100 persons in the mid-18th century, and this horror fantasy blends the lore of this fabled beast with a story of two men who set out to capture it. After a number of mutilated corpses begin appearing across the French countryside, naturalist Chevalier Gregoire de Fronsac (Samuel Le Bihan) is dispatched by the King to find and capture the animal responsible for the killings. Mani (Mark Dacascos), an Indian from Canada and an experienced hand in the wilds, is hired to assist de Fronsac in his work. Gregoire's assignment earns him the acquaintance of Marianne de Morangias (Emilie Dequenne), the lovely daughter of the idly wealthy Count de Morangias (Jean Yanne), but Gregoire receives a much chillier welcome from her brother Jean-Francois (Vincent Cassel), who, despite having lost an arm to a lion in Africa, is quite the huntsman himself. As Gregoire and Mani arrive in the village of Gevaudan, they're drawn to a local house of prostitution, where the animalistic allure and supernatural powers of Sylvia (Monica Bellucci) prove to have a profound effect on the naive Gregoire. Jim Henson's Creature Shop provided the special-effects expertise for the creation of the Beast of Gevaudan. ~ Mark Deming, All Movie Guide

The Dogma 95 movement has seen some searing looks into the human condition but rarely a romantic comedy -- until now. Veteran Danish filmmaker Lone Scherfig spins this deadpan look at a group of lovelorn outsiders living in a grey corner of Copenhagen. After the perennially foul-tempered minister of a local church is fired after doing great injury to the organist, Andreas moves to the area to take over the parish. Staying in a hotel until his predecessor can be wrested from the rectory, Andreas befriends the establishment's scatter-brained manager, Jørgen, who is utterly in love with a beautiful Italian barmaid working at a nearby pub run by Hal-Finn. When the irascible Hal-Finn is chastised by the bar's owner for his unkempt appearance, he goes to a local salon where he meets Karen, a comely hairdresser harried by her grasping mom. Meanwhile, Andreas falls for a lethally klutzy pastry shop assistant named Olympia. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

The grim futility of the war between Bosnia and Serbia is reduced to its essence as two enemy soldiers are forced to share a wary trust for one another in this drama. A group of Bosnian soldiers are advancing upon Serbian territory during a misty night when the fog lifts at daybreak, making them plainly visible to their enemy. Serb forces open fire upon them, and soon only Chiki (Brancko Djuric) is still alive, after diving into a trench in no man's land. Two Serbian soldiers scouting the area set up a land mine using the body of a Bosnian soldier as "bait;" if moved, the mine will jump into the air and explode. Chiki watches as the soldiers set the trap, and furious at the disrespect to his fallen comrades, he kills one of the Serbs, and takes the other, Nino (Rene Bitorajac), hostage. With both soldiers alone and equally armed, they find themselves at a stalemate, and begin trying to attract help from either side. Eventually, the two men are found by a squadron of French soldiers attached to a U.N. peacekeeping unit; now held by supposedly neutral forces, Chiki and Nino are with the French troops when it's discovered that the dead Bosnian soldier isn't dead after all, though no one is sure how to disarm the mine without killing him in the process. No Man's Land was the debut feature from Bosnian writer and director Danis Tanovic. ~ Mark Deming, All Movie Guide

Argentine filmmaker Fabian Bielinsky makes his directorial debut with this taut crime thriller about a stamp and con artists on the make. The film opens with low-rent hustler Juan (Gaston Pauls) trying to scam the workers in a convenience store when Marcos (Ricardo Darin) steps in to arrest him. In truth, Marcos is veteran con himself and the two split the money after fleeing the scene. Soon after, Marcos asks Juan to be his partner in a series of small-time jobs. When Juan gets a message from his sister, the two head to the tony hotel where she works. There they try to pull off a big con that was initially planned by an aging criminal too ill to do it. The swindle centers around a fantastically accurate forgery of a rare stamp called the Nine Queens. As the two doggedly try to set up the deal, mobsters and the like learn of the job and try to horn in. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide