1001 Movies You Must See Before You Die Featured Lists

One of the most popular Disney animated musicals, The Lion King presents the story of a lion cub's journey to adulthood and acceptance of his royal destiny. Simba (voiced first by Jonathan Taylor Thomas, then by Matthew Broderick) begins life as an honored prince, son of the powerful King Mufasa (voiced by James Earl Jones). The cub's happy childhood turns tragic when his evil uncle Scar (voiced by Jeremy Irons) murders Mufasa and drives Simba away from the kingdom. In exile, the young lion befriends the comically bumbling pair of Pumbaa the warthog (voiced by Ernie Sabella) and Timon the meerkat (voiced by Nathan Lane) and lives a carefree jungle life. As he approaches adulthood, however, he is visited by the spirit of his father, who instructs him to defeat the nefarious Scar and reclaim his rightful throne. Borrowing elements from Hamlet, classical mythology, and African folk tales, The Lion King tells its mythic coming-of-age tale with a combination of spectacular visuals and lively music, featuring light, rhythmic songs by Elton John and Tim Rice, and a score by Hans Zimmer. Embraced by children and adults alike, the film also spawned hit songs ("Can You Feel the Love Tonight", "Circle of Life") and a hit Broadway musical. In late 2002, The Lion King was re-released in the large-screen IMAX format. ~ Judd Blaise, All Movie Guide

Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jetée. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic. ~ Leo Charney, All Movie Guide

The first feature film directed by Jean-Luc Godard and one of the seminal films of the French New Wave, Breathless is story of the love between Michel Poiccard, a small-time hood wanted for killing a cop, and Patricia Franchini, an American who sells the International Herald Tribune along the boulevards of Paris. Their relationship develops as Michel hides out from a dragnet. Breathless uses the famous techniques of the French New Wave: location shooting, improvised dialogue, and a loose narrative form. In addition Godard uses his characteristic jump cuts, deliberate "mismatches" between shots, and references to the history of cinema, art, and music. Much of the film's vigor comes from collisions between popular and high culture: Godard shows us pinups and portraits of women by Picasso and Renoir, and the soundtrack includes both Mozart's clarinet concerto and snippets of French pop radio. When Breathless was first released, audiences and critics responded to the burst of energy it gave the French cinema; it won numerous international awards and became an unexpected box-office sensation. ~ Louis Schwartz, All Movie Guide

French director Georges Franju's Eyes Without a Face (Les Yeux Sans Visage) is an unsettling, sometimes poetic horror film. Pierre Brasseur plays a brilliant plastic surgeon, Prof. Genessier, who has vowed to restore the face of his daughter, Christiane (Edith Scob), who was mutilated in an automobile accident. With the help of his assistant (Alida Valli), he kidnaps young women, surgically removes their facial features, and attempts to graft their beauty onto his daughter's hideous countenance. This naturally has an adverse effect on the "donors," some of whom commit suicide rather than go through life faceless. Franju's haunting, muted handling of basic horror material is what lifts Eyes Without a Face out of the ordinary and into the realm of near-classic. When the film failed to draw crowds under its original title, however, the distributors decided to exploit it as a two-bit "scare" flick with the new title The Horror Chamber of Dr. Faustus. ~ Hal Erickson, All Movie Guide